The Art of Printing at Ballagh Studio, Inishowen

By Denise Henry, Marketing, Inishowen Tourism

Today's trip takes me back to the creative and picturesque Ballagh Studio in Inishowen, to meet Tim Stampton, Artist, Illustrator and Print Maker. The studio, pictured above, houses creative pieces by both Tim and fellow artist, Ros Harvey.

Tim Stampton: A Skilled Potter

Tim Stampton, was born in the UK and later moved at a young age with his family to Canada. His early career involved work in the printing industry and lithography. Tim, studied at the Canterbury College of Art and spent a number of years at Leach Pottery in St. Ives, England. At St Ives, he received training by and later worked alongside Bernard Leach, who is considered the Father of British Studio Pottery. With this in mind Tim would become an acclaimed potter, setting up his own ceramics studio in Nova Scotia, Canada and teaching in universities in both Canada and England.

At the studio you can view examples of the range of pottery he has crafted over the years from brown earthenware pottery, made in Canada to wood fired stoneware pictured above. Tim explains that the medium used e.g. the type of clay and how it is fired (electric, gas or wood kiln) effects the type of finish you will see and feel on each pottery piece.

From Pottery to Printing at Ballagh Studio, Inishowen

Moving to Ireland in 1988, Tim set up his own print workshop, illustrated in the video above, at Ballagh. At Ballagh, he moved away from pottery and focused his energies on producing wood cuts and prints. Tim kindly invited me to his workshop to gain a better understanding of how he creates his prints. Entering Tim's workshop you will notice an abundance of creative sketches, prints, books, and equipment. In viewing his work you will see that Tim is inspired by local myth, folklore and legends.Tim uses traditional methods of printing to incorporate these mythical tales and images into his work.

 

Traditional Printing Methods at Ballagh Studio, Inishowen

The Lithographic press, pictured above, was rescued by Tim from an art college in the UK, partially restored and as you will see is now frequently used. Lithography is a term used to describe the process of printing from a flat surface that is treated to repel the ink, except where it is required for printing. In the following video Tim introduces the press and provides a demonstration of how to use it.

Within the workshop there is a host of other traditional printing equipment. Each piece of equipment has been carefully restored and has different applications, which create the unique variety of work you will see in the studio. Stay posted for my next piece of traditional printing techniques used by Tim in his workshop.

Find Out More About Tim Stampton and the Ballagh Studio

Ballagh Studio is open Mon-Sun 9-6. After hour visits are by appointment.
See the following links for more information:
http://www.timstampton.com/

http://visitinishowen2015.blogspot.ie/2016/07/capturing-light-at-ballagh-studio.html

“Capturing the Light” at Ballagh Studio, Inishowen, Donegal

By Denise Henry, Marketing Assistant, Inishowen Tourism

 

Today’s blog takes me to Ballagh Studio, in Ballagh, Inishowen to meet acclaimed artist and native of Malin, Ros Harvey. From the picturesque town of Malin, I follow a series of quirky signs entitled "paintings". The route itself brings the visitor on a scenic journey where on arrival a beautiful beach and rolling hills can be seen in the distance (see above). As I pull into a spacious drive there is a collection of traditional buildings that appear to have been lovingly restored. 

At the front door of the large ivy covered building I am welcomed by Ros Harvey, pictured above, who guides me to a showroom. The showroom, pictured below, originally a Cow Byre, has a warm and inviting feel. Each wall displays a collection of stunning paintings and prints. The room hints at a love of craft as well as art, amplified by the uniquely carved chairs. Books placed on the large table suggest a passion for myth and folklore, alongside a love of the sea and landscape. I later learnt that myth and folklore is largely a passion of Tim Stamptons. Tim, a printmaker and illustrator, met Ros in 1979 and in 1988 they established the Ballagh Studio.

Dramatic seascapes and landscapes on display are inspired by the rugged and diverse landscape in Inishowen. Many scenes capture Trawbeaga Bay, the Isle of Doagh and other iconic locations around the peninsula. Ros captures the power of the sea beautifully in her work. It is the “Rocks, boats and the sea (that) create a sense of deep home roots”.

What Inspired an Interest in Art?

From the age of 13 Ros had been around many great pieces of art. Her stepfather had an interest in both the subject and collection of abstract art. Despite the fact that Ros herself has practiced a very different artistic style, she believes this harbored an initial interest. Ros began her artistic career as a potter, spending many years producing pottery in Dublin, where she became one of the leading potters of original ash-glazed stoneware in the country. 

The Journey Back to Inishowen

Following a decision to move from Dublin to England Ros met Tim Stampton, who, “at the time was making large pieces of garden pottery”. After a number of years in England selling pottery they made the decision to move back to Ireland and “With only 79 Punt in the bank and a little luck, they made their way along the Irish West coast” to find their new home. The “Closer we got to Inishowen the more excited we felt”. Having been away for 30 years, Ros now “felt at home”.

“A Labour of Love” Built Heritage, Art & Craft in Inishowen, Donegal

In 1988 Ros & Tim purchased a Clachan, a small group of houses with a farmstead, outbuildings and a few family homes. Over the next 25 years they would carefully restore each building that had lain empty for over 17 years. “Altogether we’ve got the house, two studios, framing shop, showroom and print workshop.” Ros describes the experience as “a labour of love”, using the profit from art sales to gradually restore the property.

Shortly after moving in in 1990 they “sold their first painting off a trestle table in the gravel on their front yard”. Since then, Ros has exhibited in venues all over the world. To date, Ros is a Member of The Royal Ulster Academy and the Pastel Society of Ireland, has held major one-man exhibitions and illustrated a number of books.

From Clay to Pastel “The Magic Switch”

Following a back operation in 1981, Ross would begin a different creative journey. After a time experimenting with watercolor and oil based paints, it was by chance that she would find her preferred medium, pastel. “A friend had left a set of pastels behind…. the texture of pastel had a similar feel to clay which allowed for 3D imaging”. The move from ceramics to pastels was like “flipping the magic switch”. Pastels allowed Ros to capture form and focus in her paintings alongside a gorgeous depth of colour.

The Creative Process, Creating Art at Ballagh, Inishowen

“I love the changing skies, being surrounded by water and I like to capture how the clouds come in low near the sea”. “Initially I sketch, photograph and then paint the scene”. What fascinated me is how Ros can memorise every shade of colour at a particular scene, often using black and white photographs to paint from. In the initial stages of creating a piece of work Ros has to “Get the sky right to start with, and then the atmosphere is fixed for the rest of the work”. Emphasising a love a light, Ros describes how herself and “Artists who come to the West of Ireland always talk of the light and that even if it is misty there is a clarity.”

Audiences engage in different ways with her work, “Many locals engage with and purchase paintings of local scenes”. From a quick look at the visitor guestbook it is clear that people from all over the world visit the studio, many of whom return.

To the back of the property, surrounded by trees and lush green fields Ros has a studio located on what was originally a privy. The studio is dominated by windows in order to take advantage of natural light. It was “built by a local builder around a bay window we had salvaged”. What commands your attention as you enter is the large impressive easel built by a local blacksmith. 

The Ballagh Experience "The Closer we got to Inishowen the More Excited we Felt"

Visitors are also welcome to experience much more than the showroom, upon invitation you get the chance to visit Tim’s print workshop, pictured above, which contains a treasure trove of traditional print machines, wood cuts and wonderful illustrations.

A visit to Ballagh Studio is a memorable experience, starting with the journey itself to this stunning location. There, you have the chance to meet and hear the fascinating story behind your purchase and of the artist who created it and lovingly restored the building in which it rests.

Come see Ballagh Studio for Yourself!

A selection of Ros’s work is available to purchase from Ballagh Studio and commissions are also taken. 

Open Mon-Sun 9-6. After hour visits are by appointment.

See the following links for more information:

http://www.rosharvey.com/

http://www.timstampton.com/index.html

Tell us What you Think!

Add your comments below and make sure to stay tuned for part two of my Ballagh experience as I talk to Tim Stampton artist, print maker and illustrator in his workshop about all things print, folklore and myth.